Keepity Keep by Carole Lanham

Apologies, fae awareness troops, for not getting the drawings started earlier, but we had one last treat in store. Carole Lanham has kindly allowed us to reprint her marvelous fairy story, Keepity Keep, here at the blog. It’s one of my (Katey!) all time favorite fairy stories, much like the one we ran last month, so I hope you all love it like I do.

Keepity Keep
by Carole Lanham

It all begins and ends with a leather book, twenty-five significant pages asmudge with jelly thumbprints, pasted valentines, and knee blood. Childhood, if you will, saved on wrinkled paper. You know the stuff: the feathers you collected, the cigar ring the neighbor kid slid on your finger behind the snowball bush, that snotty smear that was once a frog’s heart… KEEPSAKES. That’s what the front of the leather book says, written in curly gold letters more flowery than flowers. Real gold letters, probably, and worth a small fortune each. Be it a shoebox, a hope chest, or a dresser drawer, one should always have a place to keep what must be kept.

The Turnbull brothers had a leather book.

Sure, a blue birthday candle had been taped in there, but the book held secret keepsakes too, ones even the brothers didn’t know about. The apple juice, for instance, that ran off the oldest one’s chin when he was pasting a dragonfly wing on Page Three. He didn’t see it, didn’t mean for it to splat there next to that little green wing. It got kept the same as everything else and much later, when the splat turned yellow-brown, everyone speculated about what it was. Why was it there? Who, they wondered, would keep a stain next to something as marvelous as a dragonfly wing?

Gage was his name, the one who was so sloppy with his apple eating, but Alban, the younger boy, dribbled things, too. A sneeze once, though we’ll not delve deeper into the particulars of that. Two drops of paint the color of sulfur. Spit from a kiss. And a full spring shower’s worth of raindrops, courtesy of the night he left the book on the windowsill. The point being: some things we save on purpose. Others aren’t kept by choice. Either can leave a splotch.

The story of Alban and Gage is about the importance of caring for our keepsakes, both the pearls of youth we choose to save on purpose, and the sneezes that sneak along for the ride. Page One begins in the garden, the day they first met Petaloo.

The Turnbull brothers, like most all brothers, were inclined to make things up. You might think they made up Petaloo, as well. That’s fair. Heaven knows, there were a lot of games that belonged solely to them. Nose Pins was theirs. Mipply Pipply and Bite the Hook, but they’re not recommended. Likewise, numerous inventions crowded their nursery walls. The lint-fetcher was a fine one. The shirt-buttoner was not. In any case, both boys were pretenders (fibbers?) and clever (sneaky!) enough to make up just about anything.

On the day they caught Petaloo having her bath in a leaf, Uncle Geoff dropped off the leather book as sort of a Sorry-I’ve-Been-Ignoring-You-While-I’m-Off-Seeing-The World gift. The book was new back then. No stains. No smudges. Just page upon page of clean, ice cream colored paper waiting for something to keep. Then came the leaf.

There aren’t many lads with the fortitude to look away from a girl in her tub, so let’s not blame them for that. Like the missing tip of Gage Turnbull’s second to last finger, seeing her was a sloppy accident. At nine, Gage was clumsy and a little bit round, still waiting to fit his height to his weight. Alban, a year younger, was trim as a willow whip and a great deal more graceful. He ran with the book into Daisy Chain Garden simply because Gage wanted so badly to see it. They hopped over Nipple Rock without incident and tore the heads off an entire patch of pinks, one boy chasing after the other, calling him dirty names. It was the roots of the hornbeam that ended things. Down went roly-poly Gage, bringing Alban along like a tapped domino. Off flew the book. It landed in the cuckoo flowers and a startled “Smeck!” escaped Gage’s lips when he peeled back a bloom and saw Petaloo.

Smeck is another Turnbull invention and not the sort that picks lint out of your bellybutton. Smeck, in all likelihood, is the most satisfying curse the world has ever known. For one thing, a boy can get by saying it almost anywhere at any time on any occasion because, until now, there has only ever been two people alive who know just how evil a word it is. For another thing, it is highly flexible in that you can combine it with other curses to make it even worse, like bloody smeck or smecking hell. Alban once told their cranky neighbor, Mr. Dangerbottom, to “go straight to smeck” and he didn’t even get a lash for it. Smeck was the handiest thing the boys had ever dreamed up. It was also the first human word ever spoken directly to Petaloo. “Would you look at that!” were the next to follow.

There, in the crook of a feltwort leaf, splashing under a drop of dew, was the teeniest girl they’d ever seen. Her hair was longer than she was tall and the same green as the feltwort. Her eyes were two pinpoints of sunlight with a violet smeck in the middle.

I mean, speck.

Of course, she had wings. This was why there was such confusion over what sort of bug she might be. Alban thought a cross between a firefly and a Mayfly. Gage claimed her for a freak beetle. It wasn’t until she stood up that they understood she was a miniature girl in every little way. “Holy smeck!” said they.

“I want her,” Gage declared right off. “I found her first. That makes her mine.”

“You can’t keep a girl,” Alban said, as he dabbed at the blood running down his scraped shin. “What would you do with her anyway?”

“Put her in a jar and stare at her.”

“If that’s as creative as you can be, you don’t deserve her at all.”

“I could make a saddle for Alistair so she can ride him like a horse.” Alistair was their three-legged titmouse.

“Alistair would tip over.”

Gage scratched his head. “I know! I could let her swim naked in a soda cap on my dresser.”

“Now you’re thinking,” Alban said. Their plans took on delicious life then. “Make her dance on my hand,” someone suggested. “Examine her thoroughly for the sake of science…”

“Science?” a little voice said. “I don’t like the sound of that.”

In perfect synchronicity, Alban and Gage looked at one another and plumbed their ears with their fingers, certain they’d not heard what they’d heard.

“Did she just speak?”

“I think so, yes.”

“Maybe it was a bee?”

“No,” the voice said, a little bigger this time. “It was ME.”

Alban looked closer. “What the devil?” he said. “Are you a bad omen?”

“I don’t think so. I’m Petaloo.”

“What’s a Petaloo?” Alban asked.

She giggled at this. “Don’t you know a Wingwee when you see one?” Goodness, what squeaky little snorts she made! “Hand me my Dress Upon from the stem there, will you? And tell me this, if you will; what in the fantong is a smeck?”

They blushed to hear a girl say such a coarse thing. “Don’t,” they cried, covering their mouths. “Oh! This is bad.”


Alban looked at Gage and Gage scratched his head.

“Never mind,” she said. “Just so we’re clear on this one thing, neither of you may keep me.”

“Then what can we do with you?” the boys asked.

“If, over time, you like me and I like you, we shall set out to become the best of friends.”

To mark this rather unexpected occasion, the boys declared that something must be found for their new book. “But what shall it be?” they wondered, as they poked around in snake holes and birds’ nests and mud in search of that right thing. Finally, it was decided. Along with a drip of blood and a drip of dew, they glued a Wingwee bathtub under the poem that appeared on Page One:

Skippily skip

A stone and a stick

A marble, a sunrise, a fly

Keep treasures close

That matter the most

And let all the rest skip by


Gage and Alban were the children of two modern-thinkers and, as such, they did what they wanted when they wanted. Their mother was a poet known by one name: Cicely. Even to them, she was Cicely. Their father was Henry Livingstone Turnbull. The Henry Livingstone Turnbull. Suffice to say, had their parents been normal parents, the boys should not have been allowed to read his work for another ten years. While Cicely and Henry paced the widow’s walk, smoking and looking to the treetops for inspiration, the two boys lost themselves in the garden without ever being missed.

This sort of freedom sounds magnificent if you’re a little boy, but, sooner or later, it will lead to broken bones or something much worse. In Daisy Chain Garden, there were a series of stepping stones shaped by God to look like daisies, hence the name. If Cicely and Henry’s parenting ideology were a daisy-shaped stepping stone, it would be the first in a series leading to disaster.

Petaloo, whose own parents had long since flown off to some other garden, took to meeting the boys each morning in the vesper flowers. The dark tunnels of their nostrils and their door-sized ears were as astonishing to her as her small acorn head was to them. She was exactly the same height as Gage Turnbull’s tip-less finger and just about as slender. Whenever she stood by this woe-be-gone stump of a digit, an amazing thing happened. Her hair was no longer feltwort green but rather a fingery hue. It went the same when she sat in a buttercup or hopped onto a freckled dapperling mushroom. Like a chameleon, her hair turned buttercup yellow or freckly brown, blending in quite decoratively. Puddles did wonders for her eyes.

As for the brothers, she was not about to let them wander about with any regular old hair either. Of Gage, she said his hair reminded her of the sable paintbrush a monk once dropped in the honey fungus while passing through the garden. “I use it to tickle my face,” she said. She flew on top of his head as she spoke, and tickled her nose with a bristle.

“And me?” Alban said. “What about my hair?”

Leaping onto the bent petal of a ragged robin, she thoughtfully considered Alban’s locks. “Well, you’re altogether different, aren’t you, Fidget?” She called Alban Fidget sometimes. “You’re not tickly at all. More like the pale wood of the spool I like to have my mint tea on.”

“A spool!” he spat, not thinking a homely spool to be nearly as good as sable.

And you have lily pad eyes,” she was quick to add, for he was pulling such a face just then. “I long to leap just looking at them.”

“Leap?” he snarled. “Where?”

“Why, right onto your Shoe Upon so you can take me on adventures.”

This, you see, was what Petaloo did to Alban and Gage. She spun the hours away for them, making mountains of their mole hills and changing colors on a whim. The next keepsake they stuck in their book was a single braid of hair with three different ribbons of color: paintbrush, spool, and, bruool, a woody/ticklish chameleon-like combination that made for a shade all of its own. Petaloo so completely took over their days, nary a game of Mipply Pipply was remembered to be played.


But maybe you still have doubts as to the reality of such things? Think back. If you were lucky enough to grow up with a sibling, perhaps you can remember some small joy you shared with no one else but them? Something too crazy to be explained unless you had been there from the start. Maybe you had a Petaloo too, and you’ve simply forgotten after all these years? People do that, you know. The early beauty of a thing will be destroyed and squeezed to the back of a person’s mind, if things take a turn for the worse later on. That doesn’t make the Wingwees of childhood any less real. To the Turnbull brothers, Petaloo was real as rain.

Useful, too. A winged girl can be wonderful at pointing out where to dig for bones and other dead things. Six pages of rotten stuff came to be collected that first summer alone. Cicely forbid them to keep the book downstairs, that’s how good it was. Petaloo had spent thousands of birthdays in Daisy Chain, so she could make her way around blindfolded and not stumble over a single pea.

“Thousands?” Alban said when she first revealed this to them. “How old are you anyway?”

“Four thousand and three and today is my birthday.”

“But you look so young,” Gage said.

“Oh heavens, no. Tomorrow, I’ll be four thousand and four.”

At that precise moment, Gage was carving a wine cork to make a boat. They intended to put Petaloo in the thing at Beatbones Rapid and watch her shoot the current. He blew a piece of cork fluff off the tip of his whittler. “You mean you have a birthday every day?”

“How else is a girl to celebrate life?”

Alban crossed his arms, feeling instantly cheated. “We do it once a year.”

“Once a year? That’s not nearly enough.”

“We got bicycles last year. Do you get gifts on every birthday?”

“It wouldn’t be a birthday without them.”

“And cake?” Gage asked, scooping out a little seat.

“Are you mad?” she said. “Of course there’s cake!”

Alban was standing knee-deep in the stream. He was to be the launcher. “Who gives you these presents?”

“Hopefully you. Every day, I show up with a jewel or a cat leg or a treasure map, but have I ever gotten so much as a Happy Birthday from you?”

“We didn’t know,” Gage said, jiggling his pockets. Most of her gifts ended up in the leather book, but some were too queerly shaped. He kept these in his pockets. Pen nubs, walnuts, shoe buckles…He made quite a racket when he walked. His favorite was the peach stone that looked like a bright red heart. Alban had insisted it might be secured in the book as easy as an abalone button, but, of course, it bent the pages and prevented the book from closing. Gage had taken to sleeping with it under his pillow and touching it in the dark.

Why would he touch an old seed in the dark, you might ask?

It was just some dumb peach stone, or so that’s what Alban said after it refused to lie neatly in the book. But Alban had forgotten what Petaloo told them when she first rolled it onto his foot. “It’s a Clingstone.”

“What’s it for?”

“For clinging, silly.”

Sometimes, Gage was terrified that Petaloo would change gardens like her parents did. Touching the Clingstone made him feel better.

“I have five quid,” Alban announced on the day of Petaloo’s four thousand and third birthday. “What shall I buy you?”

Petaloo had never bought anything, though she’d read about it in the adverts that tumbled by from time to time. Alban explained about Hibbert’s Tools and Fine Sewing Goods and Petaloo decided it might be nice to have a Fine Sewing Good. All thoughts of launching her were dropped at this point. Alban sprinted off, promising something remarkable.

Gage wrapped his fingers around the peach stone, tracing the ridges with his fingernail. If Alban bought something from Hibbert’s, what sort of present might he give? Not the cork boat, surely. Petaloo had only agreed to the cork boat in order to shut them up.

After much consternation, Alban gave Petaloo a lace ribbon and Gage gave her a little chair. The ribbon cost half what Alban had in his mason jar and made Petaloo shriek like a jackdaw. Gage knotted together hedge mustard to make the chair, the first of a hundred pieces of furniture he would build for her. She sat in it all afternoon.

There was cake too. Alban whipped up some frosting and spread it on an orange jellybean. Petaloo had never had frosting before. Smacking her lips, she declared it her new favorite thing, never suspecting that something so sweet would one day spell doom.


After the boys made the decision to have birthdays every day too, they aged very quickly. They shouldn’t have been surprised to wake up with moustaches or find grey in their sable, their lives were zipping so. In fact, if birthdays were stepping stones, they would be the next stone in the path. Without really meaning to do it, Petaloo grew them up fast.

Instead of watching her bob past cattails on a cork, the Turnbulls became locked in a competition to decide who was the most generous. Their treasures changed, too. No longer did they care about the shoehorn waiting to be unearthed by the garden gate.

“Here is the leftover twine from the rocker I made for Petaloo,” Gage might say, placing twine in the book where otherwise a nice spore of witch’s butter might have been glued instead.

“And here is the receipt for the thimble I bought off the High-Priced Items shelf.” Alban would brag, covering up the twine. Page Ten is a puzzle of left-over handiwork and price tags slapped in place around this very poem:

Dimily dim

By plot or by whim

A memory will oft lose its way

When one makes you grin

Pray, store it within

And you’ll grin yet another day.

Sadly, the boys weren’t grinning much, and if you take a magnifying glass to Page Ten, you might be able to pick out the faintly purplish, lightly lemon-scented tear of a Wingwee left to dry on a receipt for a ruby button.

Sharing one finger-high girl between them was growing more and more difficult. If Petaloo should sometimes prefer Alban’s high jinks to Gage’s dark, quiet ways, favorite toys would be stomped to bits. A head might be held under water, even. Similarly, if Petaloo dared to admire Gage’s ability to turn bedstraw into a working chest of drawers, miniature dining room sets would be sent flying. Petaloo began to prefer when the boys visited alone. There was peace then… for the most part.


When Alban came without Gage, great fun was sure to be had. He would sit her on the soft pink cushion of his palm and run like the devil, her long hair streaming between his fingers. Once, he tied her on his kite and flew her up to the sky. Another time, he fastened her to his shoestring and leapt off Hollar Rock. In these carefree moments, when the trees all blurred and warm skin made for the happiest of chariots, Alban was not competitive or cross or cruel. He was just Alban, falling breathless on his back in the flowers with his beloved Petaloo tumbling to rest on his stomach.

“Someday I’m going to marry you,” he promised her on one such glorious day.

Settling her bottom on the circle of his shirt button, Petaloo asked, “Could we have a cake made out of frosting?” Not long before this, she had found a napkin with a picture of a wedding cake on it and had made it her parlor rug. Petaloo thought wedding cakes to be one of the finest of all human creations.

Alban raised up on his elbows and bright purple stamens bowed and parted around the shape of him. “Do you love me, then?”

“I couldn’t darn your socks, I shouldn’t think, nor hang your washed clothes up to dry on a line. For that matter, I couldn’t wash them to begin with.”

“Hm,” Alban said. “I shouldn’t like to do all that for myself. But what about love?”

“I don’t believe in saying that word.”

“Why not?”

“It’s too powerful for Wingwee lips. It’s too powerful for Boy lips, too.”

“I won’t always be a boy.”

“Yes, but I will always be a Wingwee.”

Alban had not considered this, as he was not normally given to consider anything overly much. “Come on,” he said, scooping her up. “Let’s jump off Crooked Bridge and scream until our lungs bleed.”


On other days, a jingling jangling sort of romance bloomed, or so that’s what it sounded like to Petaloo. With Gage, there was no screaming until you hurt yourself. No wayward kites. No proposals of marriage. On these more somber, clatter-pocket days, wood chips whizzed past Petaloo’s head while she sunned herself on a geode and Gage built swings and canopy beds. He was taller now and stringy of limb. His hair hung in black, pointy quills that hid his eyes and there was no need to nickname such a boy as this, for the name Gage suited his contemplative soul as fittingly as Fidget suited his brother. She was grateful he did not speak of love as Alban did, though she’d often watched him roll the Clingstone between his hands in a way that made her fidget.

His voice was deep and hoarse and sad. “I built a chair for my father today, but it looked an awful mess.”

“I don’t believe it,” Petaloo said. “Your creations would be beautiful in any size.”

“No. I’m used to thinking small now. Perhaps I could make furniture for doll houses some day?”

“It would be a grand day for dolls if you did.”

He shrugged. “I wouldn’t like it as much as I like making things for you.”

“I could go to having human birthdays, if that would free you up a little?”

The wood whittles stopped flying. “What an awful idea. We mustn’t change things in the least.”

This was her dream as well. On every first star every night, Petaloo wished to stop time. “Give me your hand,” she said. Every so often, she felt compelled to do a test and stand herself next to his second to last finger.

“You’re shrinking!” Gage cried.

Tears, smaller than seed pearls, tumbled from her eyes. “No, I’m not. You’re growing. It’s what you humans do best.”

He rubbed his finger against her head and, for a split second, it seemed like seed pearls might fall out of his eyes, too. Then he thrust her back on the rock and took up his work once again, but not before he gripped the Clingstone and gave it a hard squeeze.


After a thousand birthdays, a new game came to be played between the brothers. It was called Petaloo Who? To play it, a boy was required to summon enormous indifference, if not all-out amnesia. It became the height of immaturity to admit to paying a visit to the garden. Much better, one should pretend to need some selfheal for a scratchy throat, if he was caught prowling around there.

Alban was better at this than Gage. If the name of Petaloo came up, Alban possessed the ability to look phenomenally confused, yet he still took a secret tramp through the garden daily to leave a crystal bead or a ball of yarn. Because self-preservation was at stake, the game of Petaloo Who? was infinitely more dangerous than Nose Pins would ever be.

One crisp, leaf-whirling afternoon, Alban stumbled into the garden with red-haired Edna Heat. Yes, Heat. It says so on her Baptismal certificate. Heat came to the garden and violets were rolled upon and brambleberries were squashed flat. Petaloo saw it all and even felt a bright green burst of something cold and hot explode inside her toothpick bones. It hurt so much, she limped for days after, certain Death was near. Despite confessing to her ineptitude with giant darning needles, she had foolishly imagined she could keep the boys forever in a cozy world of three. When Gage came clanking along hours later, she soaked his knee with her sobs, though she didn’t tell him why. The poor boy was so distraught, he built her eight new sofas.

Blowing her nose on a pant’s wrinkle, she looked up at him and knew beyond all shadow of a doubt that someday Gage would leave her, too. She climbed on his shoulder and rubbed her cheek against his, wishing, as she always did, to stop the hands of time.

But human nature is human nature, even if Wingwees refuse to cater to it. Party invitations replace saved candy wrappers on Pages Sixteen, Seventeen, and Eighteen in the book. And remember the kiss spit? Alban no longer dreamed of having a tiny wife. Miss Heat never flattened the brambleberries again, but a long list of others did. Alban had the sort of face every girl falls in love with. It would take a more special soul to pursue Gage.

Once, after both boys had stopped by on the sly ― Gage before school and Alban after ― Petaloo was watching a peppered moth soar past the garden when a triangle of paper came cart-wheeling through the dog rose to knock her on her head. Often such rude clobberings were the work of a mindless paper sack or a tobacco tin run amuck, but this particular piece of rubbish was so fresh-white, it begged closer inspection. Unfolding the triangle took Petaloo all of time. Fortunately, each new layer revealed something to keep her interest up.

The first corner opened to the salutation: Good Morning, Young Mister Turnbull. The next contained parts of four different sentences. And the next, tidbits of seven. The second triangle, for instance, looked like this:

…such a relief to hear you love me too…

…ever since and I can’t seem to get you out of my mind.

…it is unseemly for a teacher to fall prey to…

…therefore I must ask for the strictest discretion.

In this way, the letter was read by Petaloo, the beginnings jigging and the endings jagging, until it reached its end.

Faithfully Yours,


By the time she got to ‘P’, Petaloo had the whole thing spread in the grass, but I suppose you get the picture. The triangle was a love letter dropped by one of the young Mister Turnbulls. But which one? Petaloo only knew that she was losing them faster than her heart could stand.


At the time of the triangle, Gage (in human years) was sixteen and Alban a year behind. Petaloo knew nothing of teachers and what was allowed or not allowed to pass between them, but she had learned that boys of a certain age forget how to share. She understood that the note was meant to be a secret so she carefully re-triangled the paper and put it under the old boot that Gage had given her for rainy days. Sooner or later, she was sure the owner would reveal himself and then she would return the note.

If a day should pass without a visit from Alban, she would say to herself, A-hah! I knew it! Woman or girl, Alban charms them all. For certain, he is Young Mister Turnbull! But then it would happen that Gage would be very late or very distracted, and she would think, A-hah! So this is why Gage never brings girls to the garden! Oh, it was highly frustrating, to say the least. Discovering the truth was like opening a triangle one corner at a time

Just when it seemed a proper hint might never come along, Petaloo discovered Alban picking through the goat willow anxiously looking for something.


“What are you doing?” Petaloo asked, making him jump when she flew up behind.

“I’m going to make a sling shot so I can shoot Neville Pipping after school tomorrow.”

A likely story, the Wingwee thought, but she graciously offered to help find a forked stick. “What is school like?” Petaloo asked. “Do you and Gage have the same teacher?”

“School is boring. We have Miss Wilton.”

Petaloo checked a nutlet for projectile potential. “Is she nice?”

“Fairly, but everyone likes our religion teacher best. We’re learning about heathens.”

“What’s her name, then?”

Holding up a rather promising Y, Alban extended his arm and pulled back on an imaginary strip of rubber. “Mr. Seaton,” he said. “But everyone calls him Peter.”


Somehow, Petaloo had come to be the guardian of a secret so heavy that, although it was made of paper, she couldn’t budge it from its hiding place no matter how hard she tried. She wondered why humans liked to keep such bulky things. By her experience, they took up far too much room, leaving you to get soaked in the rain.

When asked about Mr. Seaton, Gage agreed that he was the favorite one. And Miss Wilton’s first name? Nobody knew. “Peter is more like a friend than a teacher,” Gage said of Mr. Seaton.

The next day, Petaloo was startled when two sets of feet nearly trampled her flat. She had not heard them coming yet there they were, Gage’s gigantic hobnail boots, alongside a scuffed pair of spectators. A man laughed and before you could say MIND YOUR STEP, a berry bucket came crashing down, caging her in darkness. Muffled talking and laughing followed.

Nothing makes one feel smaller than being trapped under a berry bucket at a moment such as this. You can imagine then how well Petaloo took it when Gage at last lifted the lid and, dumb as you please, said, “How did you get under there?”

“As if you don’t know!”

“I must have kicked it without realizing,” he said. Kicked it without realizing! She stormed off into the catmint and hid there until after he went home.

That night, she noticed Gage had left the leather book behind with a new footstool sitting on top of it. I’m Sorry, Petaloo, he’d written on a scrap pale blue paper. I brought the book so we could look at it, but I couldn’t find you anywhere. Perhaps tomorrow?

Petaloo tried out the new footstool. It was the nicest one yet. She thought of the forlorn sound his pockets made when he’d given up and left. For a girl used to having her baths in a leaf, privacy was hard to understand. Much as it hurt her to think of it, Gage was old enough to deserve his privacy. Any day now, he would empty his pockets and move on. Petaloo wasn’t sure she could bear to see the peach pit heart discarded in the weeds.

All night she lay awake, praying for young children to take the place of her two grown boys. The wishing star came and went in the sky. After serious thought, Petaloo arrived at a decision. Tomorrow would be her last birthday in Daisy Chain Garden. The time had come to move on. She worked a long time to open the book, and, with a sniff, placed Gage’s note between the pages for him.


Now then, it seems we’ve come to the frosting part of the story. As hinted at all those words ago when bird skeletons were still the height of good fun, this next part you’ll not like to hear. Even so, all books need an ending and the leather one is filled up now ― all but one final page.

Let’s turn to it.

Gage arrived the next morning, bearing a special present. “It’s real wedding cake,” he told her. “Can you find it in your heart to forgive me?”

“I’ve already forgiven you.”

“And the book?” he said. “Can we read the book?”

She smiled, thinking how relieved he’d be to get his love note back. He carried her down to Beatbones Rapid to eat cake and flip through the book with her. “Here it is,” Gage said. “The best page of all.” He opened to that old tub.

It was shriveled now but, thanks to the blood, you could still see its faint shape. “Remember the first time we saw you? I thought you were a beetle.”

“I’ll never forget it, book or no.”

“Me either.”

“What’s this?” he said, tapping his finger on a yellow-brown stain beside a shiny wing. “Who saved this?”

Petaloo felt so content, she only saw the wing. “Can we have some cake now, Gage?”

Get ready, because here it comes…


Quiet as that, Alban appeared, and what do you think he saw? Petaloo licking a fluffy swirl of white frosting off his brother’s tip-less finger. “My favorite,” said the girl, licking Gage’s crooked finger until it was clean.

“Alban?” Gage said, looking up from her tongue. “Why are you wearing my boots?”

Alban squinted at them both. “I always wear yours in the garden. I don’t like to get mine dirty.”

Gage squinted too. “But they’re my boots.”

“At least I’m not sneaky like you, meeting by the rapids with wedding cake.”

“You don’t like to play in the garden anymore, remember?”

But Petaloo, for the first time, understood that this was not entirely true.

“You’re a rat!” Alban sneered. Gage put down Petaloo with the book and jumped to his feet. As a fight broke out between the two, Petaloo, quick as her size would allow, began flipping the keepsake-heavy pages in search of the note. It was Fidget’s triangle, she realized now. It was not for Gage to see.

“Let go,” Gage said as Alban’s hands plunged into his brother’s pockets and began to tear through them.

“This junk belongs to me, too.” Hateful words were shouted then, and fists were heard crunching jaws. Something red flew through the air. Blood, you might guess, but no.

While the Clingstone catapulted overhead, Petaloo turned to the note resting atop this last poem:

Sweepity Sweep

All that is cheap

For the years are quick to depart.

Keepity Keep.

The things that run deep

Save your best treasures inside your heart.


Gage heard the seed hit the water and Alban spotted the note. With that, the hand of time, caught in its spiteful cog. Nothing breathed. Nothing bled. Nothing sunk.

Alas, time will have its own stubborn way in the end and it kicked and pushed until it got things rolling again. To compensate for the mix-up, it moved faster than ever. Gage jumped toward the current, set on rescuing that old pit. Alban, just a step behind, thought Gage was going for the note, and jumped toward the book. Petaloo thought Gage wanted the letter too, and leapt up on the page to push the note into the stream. You might think her incapable of handling something so big with any amount of real speed.

Sometimes, the littlest thing will surprise you.

She scooted the triangle across the page as both boys drew closer. Alban’s shadow reached her the same second she sent the note into the water. But his hand was already in motion, striving to hide something that was no longer inside the book ― his actions too swift to take into account what was. In other words, he didn’t see the Wingwee. He only saw his secret. And Gage, in turn, saw only that old stone.

In the tick of that epochal second, the Clingstone was snatched up, the note bobbed off in the current, and a wall of paper rose toward Petaloo, the words on the page growing larger and larger, before darkness came…

Keepity Keepity Keep.

Keepity Keep is part of the short story collection The Whisper Jar (Morrigan Books Oct 2011), available for sale through Amazon and featured as one of the prizes in the Fae Awareness Month Giveaway: The drawing begins today!

Once Upon a Time the review (aka two friends having a good old chinwag)

[Written or rather chatted about by Sharon Ring and Mark S. Deniz]


Once upon a time there was a publisher and literary agent and they sat down to ponder a recent urban fantasy series…

Some of the main characters of the show

Mark: I’d say it’s all your fault, but seeing as I am very positive about the series now, I probably need to thank you for pushing me to watch more episodes when I was watching one every now and again and was 18 episodes behind the rest of you. What was it about the show that grabbed you right off?

Sharon: It didn’t grab me right off at all. That first episode was full of schmaltz. Well-written but full of so many cliches I was tempted to give up on it. Those in the know who were already watching it persuaded me to persevere, so I did.

M: Ah, so you pretty much started the way I did then but had a head start on me? Cool! So what kept you interested?

S: It’s a combination of factors. The dialogue is wonderful, the inter-weaving of plot and sub-plot is superb, the casting is excellent (one character in particular is genius casting for the show). More on that character in a bit!

M: I think I might know who it is…;-) I only just realised that we haven’t had a proper chat about the show, so this little online chat is our first ‘real’ chat – ooh the spontaneity of it all! Well not surprisingly it seems that we agree on what makes the show great (even with its schmaltzy bits), and I actually know who a few of your favourite characters are (not that our readers do though…). I was immediately impressed with protagonist, Emma Swan, sassy, sexy, pivotal role in the whole thang. I had a couple of characters that really grabbed me later on too, was that fact that it was deliciously character-driven the biggest thing for you or would you say the plots and sub-plots did it?

S: A bit of both. There are one or two weaker characters but I think that’s more to do with my own personal preferences of stories from my childhood. Without giving away too many spoilers there is a revelation later on in the series that was a huge disappointment for me. However, the upside to that disappointment was how the writers of the show played with those expectations. The internet was buzzing for weeks over this one hook.

M: Blimey, I missed all that kerfuffle entirely. I am going to write a spoiler alert at the beginning of this post so that when it goes live those who read this without having seen the show do so at their peril. So spill the beans, Sharon, what did I miss?

S: It was the true identity of August W Booth. Man, that bugged me. I wanted him to be Mr Gold/Rumpelstiltskin’s son, Baelfire, and what did we get? Bloody Pinocchio, that’s who! Yes, it fitted the storyline as we got closer to the truth and it allowed for some wonderful soul-searching on the part of Mr Gold, but ultimately I was disappointed by the revelation. It does, of course, leave room for an appearance from Baelfire in the next series, about whom I have a potential theory.

M: Ah, yes. I actually loved the scene where August announces he is Baelfire, as both he and Robert Carlyle were excellent in the scene. It was quite heart-wrenching stuff. It felt like Pinocchio was a character that didn’t really need to be in the show, as it felt like it was always going to be wedged in (see what I did there)…

S: I felt that was as well for a while. Once he reached the point of a reunion with Gepetto, his real father, that kind of made up for things. As it’s a huge theme for the show those reunions are really something. Still, back to Rumpelstiltskin for a minute. He’s the one I mentioned as a favourite character. I could rattle on about him all evening.

Sharon’s bloke

M: We might well get some of your rattling…I immediately loved his Rumpelstilstkin entrance, with his whiny/weasly giggles…that sort of tipped him into the favourites pile.

S:  It’s one of the most genius castings I’ve seen in a long while. I had no idea he was going to be in it. Just saw him pop up on screen and I was in love from the get-go. The dual characters work perfectly, perhaps better than any of the others. And his long arc behaviour has been exceedingly well thought out by the writers. I expect he has a whale of a time getting to play this odious, mercurial monster. Although, as the show progresses it becomes apparent that his monstrosity is not what it first appears to be.

M:Yes, agreed, if I’m not mistaken, he’s one of four people that are aware of the curse from the beginning: Henry, The Wicked Queen and August being the others. That’s one thing that if it’s been mentioned then I’ve forgotten it or missed it, which is the explanation about why three others (actually four, I’ve just remembered my favourite minor character, the Mad Hatter) know about something that was only known to the Queen (as per her spell). And why is Henry her adopted son – for plot purposes?

S: The way I see it Henry is her adopted son for a very important reason. Bear with me on this. Rumpelstiltskin was the one who put the idea in the Wicked Queen’s head to cast the spell to take them all out of Story Book Land and into Storybrooke. So far so good. What’s his reasoning behind all this? It’s because he wants to find his son, Baelfire. To do that he needs to cross to our world so he gets her to cast the spell, drags them all over, then waits for Emma to grow up (because time is irrelevant in Storybrooke, he can wait). He then treks off to get Henry in order to eventually entice Emma to town to break the spell. Once the spell is broken he can then bring magic into the world with a spell of his own making, which will then allow him to find Baelfire. Whaddya think?

M: I think I’m with you there m’dear, makes a whole lotta sense that one! I still want an answer for the others knowing about the curse, oh wait Pinocchio went through with Emma. What about the Hatter though, is it because he’s a loon?

S: Actually, I’m not sure on that one. I should probably go through the season again as I know the answer’s in there somewhere. Maybe something he did or said to the Wicked Queen at some point that made her want to punish him by forcing him to stay away from his daughter? That does seem to be a bit of a thing with her – separating people from their loved ones, which, from a psychological point of view is all down to her own heartbreak when she was younger, forcing her to become the person she is.

M: *nods* There is something about her leaving him trapped in Wonderland when she takes her father back through the hat which could link to it – oh there’s a lot I want to know about the Hatter in season two! So, should we argue about one of your faves now and easily one of my least favourites, Snow White?

Not by Mark she isn’t!

S: I love her and won’t hear a bad word said about the woman! Bring your argument forth then but don’t expect any more than short shrift from me on this subject! 😉

M:Erm, was it Snow White I meant? Well there’ll be one thing you can’t stand fast on and that’s the fight scene when she and the seven dwarfs rescue Prince (the most irritating character in the show) Charming from his Dad/Not Dad Jim Robinson – how bad was that done?

S: It wasn’t the best scene in the series but I see no reason to put Snow down for that one scene. Anything else? And you’re right about Charming. What a bland, insipid specimen he is.

M: I just thought casting was a bit off, I know beauty is in the eye of the beholder and all that but wasn’t Snow supposed to be the fairest in the land, not the rough, tough fighting gal that would lose out to Red, the Witch, the dizzy fairy, etc, etc. any day of the week? “Mirror Mirror on the wall, you’ve got bad taste methinks”

S: That’s a little mean, isn’t it? Speaking on a personal level here, I find her very pretty. But I think some of the casting with this character is that they wanted a traditional look – the dark hair and porcelain skin – they certainly got that right. That said, she is certainly not as striking as many of the other female characters. Same goes for Charming and I wonder if this is a deliberate ploy on the part of the show. Standard generic casting so they don’t take over the whole show?

M: A very good point and I’m inclined to agree. They weren’t brave enough to make that decision with Emma, as she is incredibly striking, although has many flaws which make her very human. Her inability to deal with responsibility being a massive part of her arc. That leads me to one element that was very well done throughout and that was Emma’s reluctance to accept what was happening because we were being given the story in somewhat of a third person viewpoint and were aware of the curse immediately. That Emma wasn’t forced us to keep reminding herself that there was no way she should believe what was going on just because a child and a stranger told her similar things. Even when the Hatter ranted on about things you could see there was no way she was falling for it. One of my pivotal moments was when August showed her his wooden leg and it was normal for her. This concept that there is much more out there if we were open to it and not so blinded by logical was summed up at once.

S: Emma is striking? Well, there’s no accounting for taste. As you say it’s all in the eye of the beholder. Anyway, it’s interesting that you raise the subject of what’s logical and what’s not because one of the things I love about the show is the comparison between who they are in Story Book Land and who they become in our world. Traits and trades remain – such as Jiminy Cricket becoming local psychiatrist Archie Hopper or Rumplestiltskin becoming Mr Gold the local, hmm, what exactly is he? Antique shop owner, landowner, occasional lawyer. Jack of all trades that one. I digress. The comparison of the dual characters gets me and I think it might be a vital clue to Baelfire’s eventual appearance.

A very striking Emma (I’m sure you agree)!

M: Indeed! One thing I want to mention before I forget, (giving me a chance to pretend I didn’t read your comments about comely Emma) is the issue at the end of the season. Basically I’ve been reading on forums (I know, I know, me reading) that people are suspecting that the storm that came in means that we are wound back to the setting at the beginning with no one rememberiing who they are. If that was the case I would turn off the TV after about three minutes. Surely the ending was that everyone now knows who there were but are trapped in our world, some of them now having power again. What’s your thoughts?

S: Not sure yet. I’d be disappointed if that were the case but I think it might be something different. It’s something of Rumpelstiltskin’s, I’m sure of that. It’s a reversal of the curse, but I believe he may have added a clause to the reversal. A straightforward reversal would mean everyone’s memory restored and a return to their own land. I don’t think that’s going to happen because I don’t think that’s what Rumpelstiltskin wants. Remember I said I think this is all about him getting back his son? Why would he yank them out of our world and whisk them back to their own? I think they’ll stay where they are and I think some characters will continue to remember what has happened. Perhaps characters who are in a position to help him find his son. I do think that we will see many more characters coming in from the outside world, Baelfire being one of them.

M: That would be cool, as characters who know who they are in our world would open up all kinds of plot-goodness! And I agree with this thing about the characters coming in from the outside as they know who they are now and that makes a difference to their lives/motivations. Maybe the Hatter made a deal with Gold, because this would also benefit him, yes?

S: Perhaps, although don’t rule out the possibility of him having made a deal with the Queen of Hearts. Remember he was locked in her world, had his removed and replaced, then set to work to make another magic hat. She was quite an intriguing character. We didn’t hear her actual voice or see her, which was a bit of a thing with everyone in her Court. Lots of covered faces, did you notice? I think she may well be around more in the next season and there’s a fair chance we might discover she’s behind Jefferson/Mad Hatter being one of those aware of the spell.

M: I may well have got that one way off then, as I thought she was the one who the Wicked Queen had a fight with who then became the Sleeping Beauty Queen/Dragon…oh, I’m all confused now…I do remember the covered faces though, which was a tad creepy.

Oh and that apple, genius way of getting Snow to take a bite. Not sure how Gold had planned to deal with the whole thing about Emma eating the pie (if she had) either…

S: Okay, well the Sleeping Beauty Queen was Maleficent so she couldn’t have been the Queen of Hearts. Did you spot who was playing Maleficent? Pam from True Blood. I love that woman, she’s bloody great. Yes, the covered faces were very creepy and I’d like to know more about that. There’s a second series sub-plot right there. Hmm, how would Gold have dealt with Emma eating the apple pie? That’s a tricky one. It’s easy to think, because he’s been manipulating events from before the curse was cast, that he’s capable of stopping and causing all that happens but I guess that’s not the case, unless he has more up his sleeve than we’re aware of at this point. Wouldn’t surprise me at all.

M: I noticed our Pam (I can call her that, yes?) and the lovely Amy Acker too (who I have such a thing for, and incidentally is in Grimm as well). Of the main characters in the show there are three I think we need to look at here (we can ignore Prince Charming) and they are: the Wicked Queen, Henry and Red (oh, OK Red is not a main character but she is lovely!).

S: Where do we start? How do we solve a problem like Regina? She is fantastic. One of the things I’m most impressed with in her character development is allowing her to have a reason for her behaviour. It certainly doesn’t justify it but it serves to help the viewer understand that she was once a lovely young woman in love. It’s well-played. The show’s writers could have gone for a cardboard cut-out evil queen but they’ve chosen to humanise her. I think, though this is a massive speculative leap on my part, that we may just begin to see more of this side of her in the next season.

We love Regina here!

M: Yes, she starts off very cardboard but gets all those human traits as the season goes on. She’s a complex character who has had to adapt to a world in which she doesn’t belong but one which she forced herself (and all the characters) to. She’s also rather striking too…

And Red is just an interesting character through and through, there we have this little throwback to Twin Peaks and all of a sudden she comes into her own in one episode. I loved the whole thing with the cloak too, the fact that the cloak was her protection from the wolf inside her.

Henry is a little love, thankfully not one of these hugely irritating child actors that we are overwhelmed with in other programs (Terra Nova anyone?). I like the way he maintains his faith in his mum and is so determined to see ‘justice’ done that he’ll break any rule to do it.

S: You’re going to have to explain your Twin Peaks comment at some point. The cloak device was very clever and I wonder how soon it will be in the next season before we see its reappearance. If their powers are returned but in our world, that could make for an interesting moment or two. Henry’s initial determination to find his mum and then to make her believe what he knows to be real is a wonderful side of the show. It taps into something many children feel at some point in their lives – a feeling that mum or dad is not really their parent, that somewhere out there is the real parent who will truly love them, not like the wicked ‘other’ with whom they are forced to live.

M: Good point – I realise we have chatted a good long while now, you think any of our readers are still reading? Any conclusions on the show/last thoughts?

S: Yes, one. The thing that keeps drawing me back time and again, beyond the things I’ve already mentioned, is the delight the show takes in booting the viewer’s cynicism out the window. It is unashamedly fun and funny, and it also demonstrates that no matter how evil or bad to the bone a person may appear, there’s always a story beneath the surface and we should perhaps remember that next time we decide to judge another person.

M: A cracking point to end on, thank you ever so much for joining me on this and I can honestly say I can’t wait for our next banter!

Snow White and the Huntsman Review by Buffy Kennedy

Snow White and the Huntsman Review

by Buffy Kennedy

After seeing the trailer for Snow White and the Huntsman, I was eager to go out and see it!  It helped that I’m a Chris Hemsworth groupie…I had debated whether or not it was worth seeing because I was worried about Kristen Stewart’s potential and how on Earth they were going to make her prettier and more desirable than Charlize Theron.  Seeing an opportunity to review it for y’all, I jumped at the excuse to go see it, even if it meant seeing it alone.

Now, where to start?!  My first impression as the movie began was only one word: eerie.  That impression continued through many parts of the movie.  The magic mirror in particular was another decidedly eerie element.  The way it came off the wall and stood there draped in gold was oh so weird.

However, that’s not even the weirdest part.  The dark forest is creeptastic, and I think there were pools of sludge that poofed up clouds of LSD because when inhaled, the victim started getting wicked hallucinations.  In contrast though, the woods that the dwarves lead her and the huntsman into are so peaceful and bright and whimsical.

There’s a lot of magic in the world created, and yeah that’s to be expected, but it still requires a great deal of “suspension of disbelief”.  I’m usually pretty good at that, but there were times that I had trouble during this particular 2 hours.  Maybe it’s just that Kristen is so branded as Bella and that character that it’s hard to really grasp her as any other role, but it just wasn’t consistently plausible.  It doesn’t help that there are similarities in that she’s pretty helpless for most of the movie, annoyingly so!

Here’s a pretty basic rundown of my take on all the characters and beasties:  The Queen was extremely beautiful, even as psychotic as she was; the dwarves were hilarious and probably one of my favorite elements in the movie; the troll is boss, before being reduced to nothing more than an angry puppy; the fairies were adorable and very pixie-like in appearance; Snow White is fairly worthless and whiny until the very end (and I have to admit KS does step up and actually give a decent speech, and occasionally sheds tears, holy crap!); and the huntsman (my CH =D) is pretty badass and sexy, even when covered in mud, and OMG the accent…

Sure there were little things that bugged the crap out of me, such as the queen’s frequent screaming, the fact that Snow’s costume kept coming off her shoulders occasionally when it’s obvious there’s no reason it should (except to take an opportunity to show a little gratuitous skin on her bare shoulders), the battle sequences seeming a little frantic, and the fact that the huntsman is old enough to have been married and widowed while Snow White JUST turned 18 (talk about barely legal…just sayin’), but overall it’s really not a bad movie.  I’m not saying it’s in my favorites, but I can’t call it bad.  For one, I’m a music person, and I fully believe that music can make or break a movie (such as the awful music in Watchmen *shudder*).  SW&tH had great music!  I ran home and got the soundtrack.  I suppose it’s even more important to note that the cinematography in this movie is magnificent.  The makeup, the special effects, it was just superb.

I am cutting back on my movie owning, but this one definitely sticks out in my mind enough for me to debate getting it when it releases to DVD.  And on that note, I shall simply leave you with a little piece of yum…damn he can protect me any day!

I’m a stay home wife working on writing a book (or three). I have a passion for reading, especially romances, so I always have a book or e-reader with me. When I’m not working on writing my own books, I’m writing reviews on many of the books I read, and I do so for several blogs. I got started from a friend’s nudge in the right direction as a way to improve my writing, find new books, and meet people. It’s worked wonders on all fronts! Anyway, the bottom line about me is that I have a wicked sweet tooth, an obsession with books in general, a music addiction, and a dream to join the ranks of published authors. –Buffy Kennedy

#17: Once Upon A Time

Our last Fae Awareness 2012 watching party is for another TV series, Once Upon a Time. Take it away…

#16: Snow White and the Huntsman

And now for one released, oh, a few weeks ago. Still in theaters, too. Snow White and the Huntsman, the latest reimagining of a much-reimagined fairy tale hero.

Beastly Review by Sue Penkivech

Beastly Review
by Sue Penkivech

Director:  Daniel Barnz
Release date:  March 4, 2011
Rating:  PG-13
Running time:  86 minutes


When KV Taylor first approached me to review  Beastly, I was at first reluctant.  I’d loved the book when I read it last year, and was concerned that the movie version, starring Alex Pettyfer and Vanessa Hudgens (who I’d hated throughout my daughters’ million viewings of High School Musical), would be disappointing at best.

I was both amazed and excited to discover just how wrong I’d been.

The movie begins with Kyle Kingson (played by Alex Pettyfer) campaigning for the presidency of a committee about which he admittedly cares nothing, but thinks will look good on his college applications.  At this point, I was prepared to write off the movie – Kyle’s speech about how it’s more important to look good than to have substance was off-putting and more than a little heavy handed.  But I persevered, and was glad that I did.

Enter Kendra (Mary-Kate Olsen), a pale, fae-like high schooler, who first defaces Kyle’s campaign  posters and then disputes his points, observing that Lindy (Vanessa Hudgeons) would’ve been a far superior president but instead ran for Treasurer because she didn’t believe she stood a chance in the popularity contest.  Why?  Granted, Lindy’s a scholarship student, but she meets Kyle’s superficial criteria – she’s certainly beautiful.   In any case, Lindy denies either knowing Kendra or any interest in the presidency.  Case closed, and Kyle goes home to be ignored by his image-obsessed anchorman father.

Unfortunately, Kyle decides to get even with Kendra, apologizing for his attitude and inviting her to a formal dance.  At first, it’s unclear as to why.  At the dance, Kyle’s rebuked by his girlfriend for having bought the wrong type of corsage, offers it instead to Lindy when he congratulates her on winning the Treasurer position, and has his picture taken with Lindy for the school paper.  But Kyle’s motivations become clear when Kendra arrives and he publically humiliates her – and she curses him to find out just what it means to be ugly.  By the time Kyle returns home, he’s learned; he looks like a bald, veiny, tattooed, punk rock version of his formerly clean-cut self, and Kendra’s voice explains that he will look like that forever, unless he can find someone who will say she loves him before a year is out.

(Personally, at that point I had to wonder why he just didn’t add a few piercings, find some girl at a bar, tell her that he was the lead singer in a band, and promise to put her in his next video.  It seemed as if it would’ve saved everyone a lot of trouble.  But I’m a cynic at times.)

The next parts of the movie closely follow the Beauty and the Beast story, with modern day modifications.  Kyle’s father moves him into another house, to be cared for by their housekeeper Zola (LisaGay Hamilton) until they can figure out what to do.  He hires him a tutor as well, a blind man named Will (Neil Patrick Harris), who isn’t afraid to tell Kyle exactly what he thinks of him and his attitude.

Kyle encounters Lindy again when he drug-addict father falls afoul of drug dealer and shoots one – and makes him a deal.  He’ll keep quiet about the shooting, and take Lindy and keep her safe.  Lindy’s fathert father agrees, and Lindy very reluctantly moves into the house of her father’s “old friend” for her own protection.

And, of course, Kyle (who Lindy now knows as Hunter) learns to care.  He worries about Zola’s family, whom she hasn’t seen in years, and the loss of Will’s sight.  And about Lindy, who gradually warms towards him, never realizing he’s the same guy she’d known at school (who she admits to him that she was interested in, before he suddenly “disappeared”).

All seems well, until Lindy’s father overdoses.  Kyle, while realizing that the year is nearly over, insists that she go to him – and that she go to Manchu Picchu, a trip she’d been saving for and looking forward to for years.  He gives her a long love letter as a parting gift, then regrets it when, before reading it, she tells him that she considers him a good friend.  Heartbroken, he ignores her calls until Will and Zola prompt him to go and see her off at the airport.  Where, in true fairy tale form, she tells him she loves him.  And leaves.

But the curse is broken.  As a bonus from Kendra, Zola’s children get their green cards and Will’s sight is restored.  In a nice twist, when Lindy returns, Kyle goes to meet her – but she blows him off, because she’s looking for Hunter.  Only when she calls Hunter and Kyle’s phone rings does she realize the truth.  Scenes shown during the credits depict their life together after high school – where they’re very obviously living happily ever after.

There are several notable differences between the movie and the book.  The first is the most obvious – while Kyle’s appearance in the movie is certainly odd, he’s definitely no “beast” – no fur or claws, just a lot of veins, scars, and tattoos.   Zola, in the book, was actually Kendra in disguise, there to watch over Kyle in the hopes that he’d learn his lesson.  By comparison, I rather liked that Zola was a character in her own right, who just legitimately cared about Kyle despite his initially horrible attitude toward her.  And finally, the end of the movie shows Kendra at Kyle’s father’s station, having just been hired as his new intern and suggesting that he was her next target.  It would have been interesting to see in the ending credits just what had happened there.

In any case, the movie was spectacular, with a great soundtrack that was exactly what you wouldn’t expect in a fantasy film, but which fit it perfectly nonetheless.  I hope you enjoy it as much as I did!

Sue Penkivech is a substitute paraeducator, a former school librarian, and an aspiring writer.  Her work has been published in Spec the Halls: 2011 EditionBarren WorldsFantastic Pulp Magazine, and the recently released Eighth Day Genesis: A Worldbuilding Codex.  She’s prone to rambling on about what she’s reading to anyone who’ll listen – which might be why she has so much time to read!  Visit her on the web at!

#15: Beastly

Rich, good-looking, and popular, huh buddy? Welcome to Beastly, today’s movie, based on Alex Flinn’s book.

Night Tide and She Creature by Mina Kelly

Night Tide and She Creature

by Mina Kelly

I had a bit of a flashback to my posts for last year’s Fae Awareness when I came to watch Night Tide and She Creature; as Ondine was rooted in the real world while The Secret of Roan Inish embraced the myth wholeheartedly, the same is true of Night Tide and She Creature respectively. Last year’s films were romances. This year’s are horror.

The following review spoils both films pretty thoroughly, I’m afraid.

In Spanish and Italian the word of mermaid is Sirena, in French Sirène, Portuguese Sereia, Polish Syrena, Romanian Sirenă. Trust English to be the odd one out, huh? Of course, the irony is that the sirens of Greek myth were very definitely not sea creatures, but instead actually had several bird features, which came and went as the myths evolved.

The first mermaid as we’d recognise her to appear mythologically is Atargatis, mother of an Assyrian queen. Ashamed of accidentally killing her lover she tries to turn into a fish, but she’s so beautiful her top half remains human and only her legs transform. At least this explains the doomed romance angle we’re still so hung up on today. I’ve always found it a bit weird how strongly associated they are with romance: as Fry in Futurama complains, “Why couldn’t she be the other kind of Mermaid? With the fish part on top and the lady part on the bottom!”

The usual way around this is the give the mermaid legs under certain circumstances, which both Night Tide and She Creature do. In a cute reversal, while Night Tide‘s mermaid only has a tail at full moon, She Creature‘s only has legs then.

Night Tide

Night Tide opens with Dennis Hopper as a young sailor, Johnny wandering into a bar. He sees a beautiful woman, Mora, and makes an excuse to join her at her table. She acquiesces, but when he tries to strike up a conversation she cuts him short, insisting she wants to listen to the music. He offers to buy her a drink, she declines. A strange old lady comes to the table and talks to the beautiful woman in a foreign language, later revealed to be Greek (I have no idea if it’s actually Greek or just gobbledegook). Mora is frightened and leaves the bar in a panic, asking Johnny to pay off her tab. Johnny does, and follows Mora home, cornering her outside her flat and demanding she invites him up. She refuses, he kisses her, she tells him he can come over for breakfast the next day.

This film came out a year after Psycho, and frankly, after that opening, I had a whole different idea about what sort of plot it was going to have (especially after the breakfast scene, in which Johnny goes on about how attached he was to his mother!). Instead it turns out we’re meant to find Johnny’s ‘forwardness’ charmingly awkward, rather than the actions of a date-rapist.

Anyway, Mora lives over a merry-go-round at aVeniceBeachfairground and plays a mermaid as part of the sideshow. She’s got two dead boyfriends and a lot of gossip going around about her, and she believes she’s a mermaid. And despite all that I can’t shake the feeling she could do better than Johnny. She’s also got a mad, drunk, ex-British Navy sea captain as a guardian, who keeps heads in jars in his apartment.

Johnny isn’t sure what to think of it all, and even I felt a little sympathy for him as he tried to figure out what the hell is going on. He’s sure beautiful, dainty Mora can’t be a killer, but what if she can’t help herself? What if it’s her mermaid blood?

This theory is put paid to when they go swimming, in a scene I had to watch twice to really take in what just happened. Dennis Hopper actually proves he can act (about time!), and collapses into delirium. When he wakes up he’s accused of killing Mora; I have a moment when I think the film is turning on its head again. I’m actually hooked. What the hell is going on here?

Sadly, nothing as exciting as I’d hoped, and it’s all wrapped up in a rather cliché way. Shame.

She Creature

Night Tide is most commonly compared with Carnival of Souls, and visually the lighting and camera work have something in common. It’s well shot, but while the visuals haven’t dated the plot has, and it’s hard to sympathise with the main characters. Hopper has a few shining moments, but I’m not sure they’re worth watching the rest of the film for unless you’re already a fan.

She Creature also has a sideshow mermaid as the female lead, but she’s a rather more intelligent character than Mora. Lily, played by Carla Gugino, is sleeping with the carnival’s manager Angus (Rufus Sewell, AKA that guy! You know, he’s in. Um. That film.). For the early twentieth century Lily’s got a good bit of independence and seems to enjoy her life with the other carnies, until Angus’s desire for money leads them to kidnap a real mermaid.

That’s right: She Creature gives us a real mermaid, almost from the beginning. She’s beautiful and alien and terrifying, and like Lily you can’t help but be drawn to her. Angus has the bright idea of taking her toAmerica. The boat makes for a great (and cost-effective) setting for the rest of the film, but you have to wonder why somewhere with less ocean to cross wouldn’t have been just as good. Angus is smart, but only in certain directions.

The film has a lot of fun with the claustrophobia of the boat and the tension between the sailors and the carnies. Lily suffers the worst of it as the only woman on board, loomed over by men threatening to sexually assault her and snubbed in a way even the black character is (though turn of the century attitudes are name checked, as are modern ones – he dies first). It’s like a haunted house where everyone knows where the ghost is: in the tank, licking blood from her lips.

Lily has a diary belonging to the last woman to spend a lot of time with the mermaid. The diary contains scientific observations about the mermaid, such as what she eats (human flesh) and how regularly (a lot more often than she appears to be right now). It’s fascinating because it shows a scientific rigor none of the male characters match. Lily’s speculations are dismissed as female flights of fantasy, no matter how carefully she phrases things. There’s a wonderful scene where she tries to figure out how to tell Angus she’s pregnant, and she thinks it’s due to the mermaid. Oh, she also appears to be possessed by the mermaid sometimes. Though frankly I’d have tried to strangle Angus without the help of a supernatural sympathiser by this point.

The mermaid briefly turns into a human thanks to the full moon, in a sequence that isn’t really necessary for anything except confirming that most of the men on board deserve to die, then ramps it up into full on creature feature mode. The effects are decent, and it’s the only place the plot can really go, but if it’s killing creatures you’re into you’ll find the climax fairly standard.

She Creature is a made of TV movie taking advantage of an unused made for cinemas plot. It makes a good hash of it, and in some ways the deficits are more easily forgiven than they would be on a big screen, even though they’re plot based. For a horror film it frankly isn’t that scary and very few of the plot twists come as genuine surprises, but the emphasis on women using the scientific process is a nice change in this sort of thing. Lily is a smart, likeable heroine who very quickly realises she’s got more in common with the mermaid than the men on board. Lily makes the film worth watching.

In both films mermaids represent Otherness, specifically the Otherness of women. Night Tide speaks to its audience through Johnny: his actions are shown, his motivations explained, his psychology understood. Mora is a mystery even to herself, her Otherness heightened by her exotic history. She Creature speaks to its audience through Lily: she knows better than anyone else on the ship what it’s like to be one of a kind and to be treated as though she has less understanding than a child, but the male characters refuse to make an effort understand her or accept that her point of view is as rational as theirs. Though the audience see her point of view the characters still perceive her as Other.

Both films are worth watching, but it’s She Creature that’s worth watching more than once.

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Spirited Away Review by Alexandra Seidel

Spirited Away
Reviewed by Alexandra Seidel

Spirited Away is an Oscar-winning production from Studio Ghibli, written and directed by Miyazaki Hayao. It was released in 2001 and shall be reviewed here, as spoiler-free as possible.

Spirited Away is a classical to-Fairyland-and-back adventure. All the elements we love so well are there: bravery, friendship, shape-changing, and the discovery of the main character’s inner strength (that was just sitting there, ready to be discovered all the time). There is of course also a little bitterness in this, for those who visit Fairyland will eventually have to go home again.

The main character is Chihiro, a young girl (on a personal note, seeing a strong female main character makes me just love this anime that much more). She gets inadvertently pulled into the fairy realm (not European Fairyland, this is the home of the Japanese gods and spirits) where she works hard to save her parents who foolishly ate fairy food and got turned into pigs as a result.

Now, Spirited Away is full of all these little details that we know and fervently love from myth and folktale. For example, we will find the evil witch/good witch dichotomy here that so many fairy tales contain, the magic of one’s own name, the trials of the hero, and how she always finds her own creative ways to come through in the end.

Chihiro and No-Face

Spirited Away combines these well-known elements with its very own visual flair. Settings and characters are created with love and great care for detail. The bathhouse Chihiro finds herself in would just be highest on my list of places to visit if I ever got the chance to travel to Fairyland.

To summarize, Spirited Away is a lovely tale, something that you can watch as a child, and then re-watch as you grow older just to see new things in it every single time. This anime is just like a good book that way, and really, that should be saying everything.

Alexandra Seidel is a Rhysling nominated poet, writer, and editor. She has a powerful affection for the unreal and strange, the weird, the wicked, and naturally, the beautiful. She loves speculative writing because all these things come together there with the power to create universes. Oh, she also likes tigers, who doesn’t.

Alexa’s work has appeared in Jabberwocky, Strange Horizons, Goblin Fruit, and elsewhere. Her first book, “All Our Dark Lovers,” is forthcoming in 2013 from Morrigan Books. She is the poetry editor for Niteblade and the managing editor of Fantastique Unfettered. You can read her blog (which she really tries to update once or twice a month) at or follow her on Twitter @Alexa_Seidel.

#14: Black Swan

The latest riff on the Swan Lake theme, last year’s much-talked-of Black Swan.

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